Often when I'm dancing I feel that I'm just outputting a random sequence of moves. Even in the best cases when the movements seem to fit the music and I can follow and complement the lines of the instruments and harmonize with the rhythm section, I still feel a blatant lack of overall structure. For instance, maybe a song repeats a phrase twice and then repeats it later: would it not make sense to use similar or even identical sequences of moves each time it repeats in the music? Maybe there is a particular break that reoccurs throughout the song: would it not make sense to use similar dance breaks at every occurrence instead of treating each one individually?
I think of the dancers as another musical instrument: dancers should share in the music the same way musicians do. When a musician solos, he still has to follow the structure of the song, but I feel that when I dance I dance in total disregard for the concept of structure. I think that a dance should follow the structure of the song instead of simply relying on what the instruments are playing at a single given point in the music.
But how does musical structure translate to dance structure? Given a phrase of music, how do you determine what an appropriate phrase of dancing would be? And given an entire song, what tricks or techniques do you need to improvise a dance that reflects the song's structure?
I suppose that just like an individual move or the way that a specific move is executed can have a feeling to it, a sequence of moves or the way that a series of moves is transitioned can also have a certain feeling. So my next goal is to start becoming aware of what those "phrase feelings" are.
Showing posts with label phrasing. Show all posts
Showing posts with label phrasing. Show all posts
Tuesday, October 31, 2006
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